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Robert Bryndza. In his review of Mind over Murder , for example, Detroit Free Press contributor Neal Shine observed: "There has always been the sense that there's as much message as mystery in Kienzle's books. Kienzle is a former Detroit priest whose feelings about some of the ways in which the Catholic Church deports itself can hardly be called ambivalent. In Mind over Murder he goes to the heart of the matter for a lot of Catholics—marriage and the Church.
The people with the clearest motives for rubbing out the monsignor are those who have run up against his incredibly inflexible rulings on marriage. He always is welcomed to my shelves. Although Kienzle included philosophical inquiries and religious asides in his books, many critics contended that his primary strength lied in the development of the mystery.
In Kill and Tell , for example, "we're back to basics with a fascinating cast of three-dimensional characters who act like people caught up in a baffling case, a protagonist in Father Koesler who is both wry and intelligent, and an honest-to-badness murder at a tension-filled cocktail party that is truly puzzling," Don G. Best Sellers contributor Tony Bednarczyk likewise asserted that in The Rosary Murders , which he called a "well paced, tightly written novel," the author "creates well defined characters that inhabit his story rather than decorate it.
Other installments in the series include finding Father Koesler and his cohorts in the press and the police department in the midst of a plot involving a Mafia hitman who has confessed to murdering a priest in Body Count; investigating a thirty-year-old murder in Dead Wrong; and working to find the killers of several priests in advance of a visit by the pope in Call No Man Father.
As always, Kienzle peppered his plot with numerous anecdotes from his own experience as a priest and set the stories in Detroit. Reviewing Kienzle's twentieth entry in the "Father Koesler" series, The Greatest Evil , Melissa Hudak remarked in Library Journal: "Although billed as a mystery, Kienzle's latest offering is more a historical view of the Catholic Church's changing attitudes.
However, Tully has doubts about taking the position because he would be under the authority of Auxiliary Bishop Vincent Delvecchio, a man known for his ultraconservative and authoritarian views. In the course of explaining to Tully the bishop's progression from an idealistic young seminarian to the rigid man he has become, Koesler stumbles upon a mystery. He begins to believe that the changes in Delvecchio may relate to his involvement in the death of a family member, a death that was supposedly from natural causes, but which Koesler now suspects could have been murder.
Hudak recommended The Greatest Evil for its "fascinating insight" into the Catholic Church, but added that some Kienzle fans might be disappointed because the mystery element of the novel becomes secondary and discussion predominates over action. Although he has stepped down as pastor, Koesler is still helping out at St. Joseph's, where changing social values are fostering dissatisfaction and turmoil. Two women members of the congregation are lobbying to become priests. Another overzealous member wants his son to become a priest, despite the son's misgivings, and attempts to enlist Koesler's aid to indoctrinate the boy.
Other issues that surface in the course of the narrative include "folk" masses, an aging priesthood, and the decrease in students graduating from the nearby seminary. The various conflicts eventually lead to a murder Koesler must unravel. A Publishers Weekly critic, praising Kienzle's "well-conceived characters," went on to observe: "The plot … plays itself out neither as a whodunit or a whydunit, but as a tragedy and morality play that develops slowly and inevitably to a violent climax.
Kienzle's first "Father Koesler" outing of the new millennium, Till Death , was viewed by a writer for Publishers Weekly as a marked departure from the mystery genre. The plot of the novel centers around the St.
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